![]() G-funk continues to influence Los Angeles hip-hop, with innovative artists like Dam-Funk and Channel Tres bringing the funk and G-funk, into electro territory. There's nu-disco and boogie funk, nodding back to disco bands with soaring vocals and dance floor-designed instrumentation. Today, funk lives in many places, with its heavy bass and syncopated grooves finding way into many nooks and crannies of music. The sound influenced contemporaneous hip-hop, funk and electronica, along with acts around the globe, while current acts like Chromeo, DJ Stingray, and even Egyptian Lover himself keep electro-funk alive and well. A key distinguishing factor of electro-funk is a de-emphasis on vocals, with more phrases than choruses and verses. In the 1980s, electro-funk was born when artists like Afrika Bambaataa, Man Parrish, and Egyptian Lover began making futuristic beats with the Roland TR-808 drum machine - often with robotic vocals distorted through a talk box. Both Collins and Clinton remain active and funkin', and have offered their timeless grooves to collabs with younger artists, including Kali Uchis, Silk Sonic, and Omar Apollo and Kendrick Lamar, Flying Lotus, and Thundercat, respectively. Legendary funk bassist Bootsy Collins learned the power of the one from playing in Brown's band, and brought it to George Clinton, who created P-funk, an expansive, Afrofuturistic, psychedelic exploration of funk with his various bands and projects, including Parliament-Funkadelic. Of course, many other funk acts followed in the '60s, and the genre thrived in the '70s and '80s as the disco craze came and went, and the originators of hip-hop and house music created new music from funk and disco's strong, flexible bones built for dancing. As David Cheal eloquently explains, playing on the one "left space for phrases and riffs, often syncopated around the beat, creating an intricate, interlocking grid which could go on and on." You know a funky bassline when you hear it its fat chords beg your body to get up and groove.īrown's 1965 classic, "Papa's Got a Brand New Bag," became one of the first funk hits, and has been endlessly sampled and covered over the years, along with his other groovy tracks. The Godfather of Soul coined the phrase and style of playing known as "on the one," where the first downbeat is emphasized, instead of the typical second and fourth beats in pop, soul and other styles. It's rare that a genre can be traced back to a single artist or group, but for funk, that was James Brown. 'Streetlight Harmonies': New Doc Traces History Of Doo-Wop The more they give us, the more the show progresses. It's like people want us to know that they're loving it. ![]() "I've never experienced anything like the reception we've got on this show," Bennington told Billboard. 24 at Ed Mirvish Theatre in Toronto.Īs per the reception of a musical that highlights some of Meat Loaf's most iconic music, both Polec and Bennington told Billboard fans "scream their faces off" at the end of each musical number, adding she believes they definitely have a "Bat clan" of super fans. Previews, starring actors Christina Bennington and Andrew Polec, began in Manchester, England, in February and ran through April, before heading to London's West End from June through August. From there it would go through 40 years of script revisions before coming out the other side in its current form. The musical was originally written in 1975, but it only had one performance under the title "Neverland" in 1977. It features Meat Loaf hits such as "Two Out of Three Ain't Bad," "Paradise By the Dashboard Light," the GRAMMY-winning hit "I'd Do Anything For Love (But I Won't Do That)," and "Bat Out Of Hell," plus two previously unreleased songs, "What Part Of My Body Hurts The Most" and "Not Allowed To Love." When one of these teenage boys falls in love with the world's tyrannical leader, he heads out to rescue her. The musical, directed by Jay Scheib, focuses on a group of rebellious teenagers in a post-apocalyptic world. Jim Steinman must have known this when he created "Bat Out of Hell: The Musical," which brings some of Meat Loaf's biggest hits to the theater world. If Meat Loaf isn't part of your music collection, then you're missing out.
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